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New terminology - "push off" -> "bounce back", "push across" -> "bounce across".
Cyantics playing for the Cincinnati dance, July 13, 2024 (recorded by Kenny Greer)
Adrift, Astray
Unwound, Valley of Fire
Elkhorn Creek, Wilderness Whirl
Entangled
Jan 2025 - Crosswalk is back, revised at Bob Isaac's suggestion
Dec 2024 - New PDFs to print 5.5x8.5 booklets (print landscape, duplex short edge) - under "PDF ..." tab
Oct 2024 - New dance Seven Stars
Sep 2024 - New dance Starbright, back by request Jubilation Permutation
Aug 2024 - New dance Jaded
Jan 2024 - New contra tune Hunting the Buffalo Break
Astray on
YouTube
Amazon
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Thanks to -
Cary Ravitz
859-263-5087
caryravitz_at_gmail.com (replace _at_ with @)
Last modified 5:16 PM, 28 Oct 2025 - File size 311K - Count 185749 - sitemap - robots
The number of counts used by each move is noted in parentheses. These are not necessarily rigid as the figures can trade off, especially within a 16 count phrase. For example with the common phrase circle left 3/4 (8), partners swing (8), the dancers will often use just 6 or 7 counts for the circle.
I have tried to highlight the progressions with phrases like "and turn to face new neighbors" and "to meet new neighbors". This implies that subsequent figures are done with the new minor set.
I have added a note wherever a dance is reentered improperish with lady on the left.
I use "half sashay" for two dancers to trade places with a side step. Clockwise or counter-clockwise is specified. Be sure not to read "roll away" where there isn't one.
I use "sashay around" for two dancers to walk around each other with side steps. Clockwise or counter-clockwise is specified.
A sashay around done by couples on both sides of a set of four, while facing directly across the set, is referred to as a "mad robin". A half sashay done by couples on both sides of a set of four, while facing directly across the set, is referred to as a "1/2 mad robin".
I use the phrase "roll away with a half sashay" to refer to the common figure with ladies rolling left and gents half sashaying right. If the gents roll away, I use the phrase "gents roll away and ladies half sashay", with the direction implied by the position of the dancers. If the ladies roll away right, I use the phrase "ladies roll away and gents half sashay", with the direction implied by the position of the dancers. The roll away is always in front of the half sashay.
Chains and right and left throughs end with a courtesy turn. For a right and left through to a circle left, a California twirl may be preferred to a courtesy turn.
The term "star" covers both wrist hold and hands across. If the type of star is important, it is specified.
"Bounce back", done within a hey, means bounce back in the middle and trade roles in the hey. Dancers that bounce back generally stay facing across the set. If you start on the left, you bounce back and to the right. If you start on the right, you bounce back and to the left.
"Bounce across", done within a hey, means bounce in the middle and back up and across the set.
Gyspy is a two dancer contra figure - walk around the other dancer eye to eye. Generally 4..8 counts followed by a swing or 8 counts to go 1+1/2 around. In a figure name, gypsy is used to add eye to eye - gypsy star, gypsy waves (and the common flourish, gypsy hey).
I use the following formations.
These are the rules that I follow when writing a dance. The first rules are rigid - I allow no exceptions unless the theme of the dance requires it.
These next rules are more loosely followed.
And these are some artistic rules.
| A1 | - | Face across. |
| - | Twos pass left to start a hey (16). | |
| A2 | - | Neighbors (on the side) half sashay clockwise (ones behind the twos) (3). |
| - | Gypsy clockwise for four 1 (10) (circle left 1 without hands). | |
| - | Ladies (across) half sashay clockwise (ones ladies behind the two ladies) (3). | |
| B1 | - | Partners balance and swing (16). |
| B2 | - | Circle left 3/4 and pass through up and down to meet new neighbors (8). |
| - | With neighbors, the one gent and two lady do-si-do, the one lady and two gent allemande right 1+1/2 (8). |
| A1 | - | Face across. |
| - | Twos pass left to start a 1/2 hey, ones bounce back (8). | |
| - | Continue the hey, twos bounce back, ones finish an ordinary hey (8). | |
| A2 | - | Neighbors (on the side) half sashay clockwise (ones behind the twos) (3). |
| - | Gypsy clockwise for four 1 (10) (circle left 1 without hands). | |
| - | Gents (across) half sashay clockwise (ones gents behind the two gents) (3). | |
| B1 | - | Partners balance and swing (16). |
| B2 | - | Circle left 3/4 and pass through up and down to meet new neighbors (8). |
| - | With neighbors, the one gent and two lady do-si-do, the one lady and two gent allemande right 1+1/2 (8). |
| A1 | - | Long lines go forward and back and partners roll away with a half sashay (8). |
| - | Circle right 3/4 (8). | |
| A2 | - | With partners, gents lead a zigzag right and left around neighbors to face new neighbors (6). |
| - | Neighbors swing (10). | |
| B1 | - | Circle left 3/4 (8). |
| - | Partners allemande right 3/4 (3). | |
| - | Gents allemande left 1 (5). | |
| B2 | - | Partners gypsy and swing (16) (or balance and swing). |
| A1 | - | Long lines go forward and back and partners roll away with a half sashay (8). |
| - | Gents allemande right 1+1/2 (8). | |
| A2 | - | Neighbors balance and swing (16). |
| B1 | - | Ladies chain across (8). |
| - | Circle left 3/4 and pass through up and down to meet new neighbors (8). | |
| B2 | - | Ladies allemande left 1 while gents orbit 1/2 clockwise (6). |
| - | Partners swing (10). |
| A1 | - | Circle left 3/4 (8). |
| - | Neighbors swing (8). | |
| A2 | - | Right and left through across (8). |
| - | On the left diagonal, only if there is someone there, ladies chain to your shadow (8). | |
| B1 | - | Take hands in a circle and balance (4). |
| - | With neighbors (across), ladies roll away and gents half sashay (4). | |
| - | With neighbors, gents lead a zigzag left and right around your shadow to face your partner (8). | |
| B2 | - | Gents allemande left 3/4 (4). |
| - | Partners swing (12). |
| A1 | - | Dancers in the line to the caller's right are ones. |
| - | Long lines go forward and back and just the ones roll away with a half sashay (8). | |
| - | Hands across star right 7/8 (3+1/2 places) so that a gent and lady from each set of four are in the middle (8). | |
| A2 | - | Keep hands in the star and take hands in a long wavy line in the middle. |
| - | People on the sides balance in and out while people in the middle balance to a new neighbor and away (4). | |
| - | Slide past the person that you balanced to with a Rory O'More spin (4). | |
| - | Hands across star left 3/4 with the handy group of four (8). | |
| B1 | - | Keep hands in the star and take hands in a long wavy line in the middle. |
| - | People on the sides balance in and out while people in the middle balance to a new neighbor and away (4). | |
| - | Slide past the person that you balanced to (4). | |
| - | Hands across star right 7/8 with the handy group of four, ending on the side with your partner (8). | |
| B2 | - | Partners gypsy and swing (16). |
| A1 | - | Long lines go forward, neighbors gypsy 1/2, and gents take neighbors back to the side (opposite the gents' home side) (2+4+2). |
| - | Neighbors swing (8). | |
| A2 | - | Gents pass left to start a 1/2 hey (8). |
| - | Neighbors swing (8). | |
| B1 | - | Long lines go forward, partners gypsy 1/2, and long lines go back (2+4+2). |
| - | Star right 7/8, ending with gents in the middle (8). | |
| B2 | - | Gents look for a new neighbor gent to allemande left 3/4 while ladies walk to meet your partner (4). |
| - | Partners swing (12). |
| A1 | - | Right and left through across (8). |
| - | Circle right 3/4 (8). | |
| A2 | - | With partners, ladies lead a zigzag right and left around neighbors to face new neighbors (6). |
| - | Neighbors swing (10). | |
| B1 | - | Circle left 3/4 (8). |
| - | Partners allemande right 3/4 (3). | |
| - | Gents allemande left 1 (5). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Right and left through across (8). |
| - | Ladies chain across (8). | |
| B1 | - | Ladies allemande right 1 (6). |
| - | Partners swing (10). | |
| B2 | - | Take hands in a circle, balance, and spin 1+1/2 places to the right, to form a diamond (8). |
| - | Take hands, balance, and spin 1+1/2 places to the right, and turn alone to face new neighbors (8). |
| A1 | - | Forward to the middle (3). |
| - | Gent roll to face your partner while ladies quarter sashay to the left (2) (half of gents roll away and ladies half sashay). | |
| - | Back up to face your partner across the set (3). | |
| - | Do-si-do (8). | |
| A2 | - | Balance, go forward to the middle, bounce while rotating counter-clockwise 90 degrees, back up to progress one place around a diamond. |
| - | Balance, go forward to the middle, bounce while rotating counter-clockwise 90 degrees, back up to progress one place around a diamond. | |
| B1 | - | Pass right to start a hey - partners pass right, loop left, partners pass right, small loop left - ending in the middle (16). |
| B2 | - | Balance and swing in the middle, end where you started the swing, facing down, lady on the right (16). |
| - | The phantom set rotates 90 degrees, so you are now on the side, facing across. |
| A1 | - | Ladies chain across (8). |
| - | Ladies pass right to start a 1/2 hey (8). | |
| A2 | - | Neighbors balance and swing (16). |
| B1 | - | Gents allemande left 1+1/2 (8). |
| - | Partner swing (8). | |
| B2 | - | Circle left 3/4 (7). |
| - | Pass through up and down to meet new neighbors (2). | |
| - | Circle right 3/4 (7). |
| A1 | - | Promenade clockwise (ladies in the middle) around the full set 1 place to meet new neighbors (2). |
| - | Ladies allemande right 1/2 (2). | |
| - | Neighbors swing (12). | |
| A2 | - | Gents allemande left 1 while ladies pause and then follow your neighbor to cross the set (6). |
| - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl to face in (8). | |
| B1 | - | Ladies pass right to start a 1/2 hey, gents bounce back (8). |
| - | Continue the hey, ladies bounce back, gents finish an ordinary hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Take hands in a circle, balance, and spin one place to the right, as in Petronella, and turn alone to face new neighbors (8). |
| - | Take hands in a circle, balance, and spin one place to the right (8). | |
| A2 | - | Gents allemande left 1+1/2 (8). |
| - | Neighbors swing (8) (or allemande right 1+3/4). | |
| B1 | - | Circle left 3/4 (8). |
| - | Ladies pass left to start a 1/2 hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Long lines go forward and back (8). |
| - | Ladies chain across (8). | |
| A2 | - | Star left 1 and turn to face new neighbors (8). |
| - | Neighbors swing (8) (or allemande right 1+1/2). | |
| B1 | - | Pass through across (4). |
| - | Neighbors California twirl(4). | |
| - | Gents allemande left 1+1/2 (8). | |
| B2 | - | Partners gypsy and swing (16) (or balance and swing). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Long lines go forward (4). |
| - | Ones swing in the middle and end facing down while twos back up and face up (12). | |
| B1 | - | With new neighbors, ones split the twos to start a mirror do-si-do (one gents and two ladies see-saw, two gents and one ladies do-si-do) (8). |
| - | Twos swing and end facing up (8). | |
| B2 | - | Circle left 1 (8). |
| - | Neighbors do-si-do (8). |
| A1 | - | On the left diagonal walk forward to meet new neighbors (4). |
| - | Back up straight to form a set of four (4). | |
| - | Ladies chain across (8). | |
| A2 | - | Ladies pass right to start a hey (16). |
| B1 | - | Neighbors balance and swing (16). |
| B2 | - | Circle left 3/4 (8). |
| - | Partners swing (8). |
| A1 | - | On the left diagonal walk forward to meet new neighbors (4). |
| - | Back up straight to form a set of four (4). | |
| - | Ladies chain across (8). | |
| A2 | - | Ladies pass right to start a 1/2 hey, gents bounce back (8). |
| - | Continue the hey, ladies bounce back, gents finish an ordinary hey (8). | |
| B1 | - | Neighbors balance and swing (16). |
| B2 | - | Gents allemande left 1+1/2 (8). |
| - | Partners swing (8). |
| A1 | - | Pass through across (4). |
| - | Neighbors balance and swing (12) (reenter with ladies on the left). | |
| A2 | - | Gents allemande left 1+1/2 (8). |
| - | Partners swing (8). | |
| B1 | - | Circle left 3/4 and pass through up and down to meet new neighbors (8). |
| - | Star left 1 and turn to face your original neighbors (8) (reenter with ladies on the left). | |
| B2 | - | Neighbors do-si-do (8). |
| - | Neighbors swing (8). | |
| - | Face across and look for new neighbors. |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Gents allemande left 1/2 (2). |
| - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl 1/2 to put the ladies in the middle (6). | |
| - | Ladies allemande right 1/2 (2). | |
| - | Ladies keep right hands, pick up your neighbor, star promenade across, and butterfly whirl 1/2 (gents go forward, ladies go backward) to put the gents in the middle (6). | |
| B1 | - | Gents allemande left 1/2 (4). |
| - | Partners swing (12). | |
| B2 | - | Circle left 3/4 and pass through up and down to meet new neighbors (8). |
| - | Neighbors do-si-do (8). |
| A1 | - | Right and left through across (8). |
| - | Ladies chain across (8). | |
| A2 | - | Star left 1 and turn to face new neighbors (8). |
| - | Neighbors swing (8) (or allemande right 1+1/2). | |
| B1 | - | Circle left 3/4 (8). |
| - | Ladies pass left to start a 1/2 hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Gents allemande left 1 (6). |
| - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl while shifting one place to the right to face new neighbors (10). | |
| A2 | - | Ladies allemande right 1+1/2 (8). |
| - | Neighbors swing (8). | |
| B1 | - | Circle left 3/4 (8). |
| - | Ladies pass left to start a 1/2 hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Long lines go forward and back (8). |
| - | Ladies pass right to start a 1/2 hey, gents bounce back (8). | |
| A2 | - | Neighbors balance and swing (16). |
| B1 | - | Gents pass left to start a 1/2 hey, ladies bounce back (8). |
| - | Gents start a hands across star left and ladies join in behind partners. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face new neighbors (8) (ending facing up and down, ladies on the right). | |
| B2 | - | Ladies start a hands across star right and gents join in behind partners. From initial positions, turn the star 1 for ladies and 1/2 for gents (8). |
| - | Ladies turn in and partners swing (8). |
| A1 | - | Circle left 3/4 (8). |
| - | Neighbors swing (8). | |
| A2 | - | Gents allemande left 1+1/2 (8). |
| - | Partners allemande right 1+3/4 (or swing) (8). | |
| B1 | - | Gents start a hands across star left and ladies join in behind partners. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face new neighbors (8) (ending facing up and down, ladies on the right). |
| - | Ladies start a hands across star right and gents join in behind partners. From initial positions, turn the star 1 for ladies and 1/2 for gents (8). | |
| B2 | - | Ladies turn in and partners gypsy and swing (16). |
| A1 | - | Long lines go forward and back (8). |
| - | Ladies chain across (8). | |
| A2 | - | Circle left 1 (8). |
| - | Keep hands held until it's time to break the clover. | |
| - | Face your neighbor. | |
| - | Gents raise your right hand and ladies raise your left hand. | |
| - | Ladies turn clockwise 1/2 while sliding to your neighbor's left to form a two leaf clover (2). | |
| - | Turn the clover counter-clockwise 3/4 (6). | |
| B1 | - | Ladies slide back to back while gents turn in place to reverse the clover (2). |
| - | Turn the clover clockwise 3/4 (6). | |
| - | Drop hands to break the clover and gents switch to a back hold with your partner. | |
| - | Promenade to meet new neighbors (2). | |
| - | Ladies do-si-do (6). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Go down the hall (5). |
| - | Turn as a couple (3). | |
| - | Come back up (5). | |
| - | Ones cast around the twos (3). | |
| B1 | - | Ones half figure eight around the twos (8). |
| - | Ones swing and end facing down to face new neighbors (8). | |
| B2 | - | Circle left 1 (8). |
| - | Twos swing and end facing up (8). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Circle left 3/4 (8). |
| - | Partners swing (8). | |
| B1 | - | Long lines go forward and back and partners roll away with a half sashay (8). |
| - | Gents' new partners are in their right hand. | |
| - | Ladies' new partners are in their left hand. | |
| - | Long lines go forward and back and partners roll away with a half sashay (8). | |
| B2 | - | With partners, circle right 3/4 and turn to face new neighbors (8). |
| - | Neighbors gypsy 1+1/2 and turn to face new neighbors (8). |
| A1 | - | Circle left 3/4 (8). |
| - | Neighbors swing (8). | |
| A2 | - | Gents allemande left 1 while ladies pause and then follow your neighbor to cross the set (6). |
| - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl while shifting one place to the right to face new neighbors (10). | |
| B1 | - | Ladies pass right to start a 1/2 hey, gents bounce back (8). |
| - | Continue the hey, ladies bounce back, gents finish an ordinary hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Gents pass left to start a 1/2 hey (8). |
| - | Gents allemande left 1+1/2 (8). | |
| A2 | - | Neighbors balance and swing (16). |
| B1 | - | Circle left 1 (8). |
| - | With partners, ladies lead a zigzag left and right around neighbors to face new neighbors (8). | |
| B2 | - | Ladies allemande left 1+1/4 (8). |
| - | Partners swing (8). |
| A1 | - | Face across. |
| - | Twos pass left to start a 1/2 hey, ones bounce back (8). | |
| - | Continue the hey, twos bounce back, ones finish an ordinary hey (8). | |
| A2 | - | Neighbors balance and swing (16). |
| B1 | - | Gents allemande left 1+1/2 (8). |
| - | Partners swing (8). | |
| B2 | - | Circle left 3/4 and pass through up and down to meet new neighbors (8). |
| - | With new neighbors, the one gent and two lady do-si-do, the one lady and two gent allemande right 1+1/2 (8). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Face your partner and lock eyes. |
| - | The one gent and two lady half sashay clockwise (gent in front of lady) (4). | |
| - | Neighbors sashay around clockwise (starting with twos walk forward and right) (8). | |
| - | The two gent and one lady half sashay clockwise (gent in front of lady) (4). | |
| B1 | - | Ladies allemande left 1+1/2 (8). |
| - | Partners swing (8). | |
| B2 | - | Gents start a hands across star left and ladies fall in behind your partner. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face new neighbors (8). |
| - | Neighbors do-si-do (8). |
| A1 | - | Circle left 3/4 (8). |
| - | Neighbors swing (8). | |
| A2 | - | Long lines go forward and back (8). |
| - | Ladies pass right to start a 1/2 hey, ending in long wavy lines with gents facing out (8). | |
| - | New neighbors are in your right hand. | |
| B1 | - | Balance (4). |
| - | Gents move one place to the right while turning to face in while ladies cross the set to face out (4). | |
| - | Balance (4). | |
| - | Ladies move one place to the right while turning to face in while gents cross the set to face out (4). | |
| B2 | - | Balance (4). |
| - | Gents turn to face in while ladies cross the set (2). | |
| - | Partners swing (10). |
| A1 | - | Long lines go forward and back and partners roll away with a half sashay (8). |
| - | On the left diagonal, only if there is someone there, gents chain by the right hand (8) (gents are on the right). | |
| A2 | - | With your shadow (across) and the neighbor that you chained with, star left 3/4 (8). |
| - | On the right diagonal, only if there is someone there, ladies chain (8). | |
| B1 | - | With your partner (across) and the neighbor that you finished the chain with, ladies pass right to start a 1/2 hey (8). |
| - | Ladies allemande right 1+1/2 (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Neighbors balance and swing (16) (or do-si-do and allemande right 1+1/2). |
| A2 | - | Right and left through across (8). |
| - | Ladies pass right to start a 1/2 hey (8). | |
| B1 | - | Ladies start a hands across star right and gents fall in behind your neighbor. From initial positions, turn the star 1 for ladies and 1/2 for gents (8). |
| - | Gents turn in and partners swing (8). | |
| B2 | - | Gents pass left to start a 1/2 hey (8). |
| - | Gents start a hands across star left and ladies fall in behind your partner. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face new neighbors (8). |
| A1 | - | Right and left through across (8). |
| - | On the left diagonal, only if there is someone there, ladies chain (8). | |
| A2 | - | Star left 1 and turn to face new neighbors (8). |
| - | Neighbors do-si-do (8). | |
| B1 | - | Circle left 3/4 (8). |
| - | Shadows allemande right 1+1/2 and turn to face your partner (8) (reenter with ladies on the left). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Right and left through across (8). |
| - | Ladies chain across (8). | |
| A2 | - | Star left 1 and turn to face new neighbors (8). |
| - | Neighbors swing (8). | |
| B1 | - | Gents chain across by the left hand to a mirror courtesy turn (8) (ending with gents on the left). |
| - | Star right 1 (8). | |
| B2 | - | Gents turn in and partners gypsy and swing (16). |
| A1 | - | Gents chain across by the left hand to a mirror courtesy turn (8) (ending with gents on the left). |
| - | Star right 1 (8). | |
| A2 | - | Gents turn in and neighbors gypsy and swing (16). |
| B1 | - | Right and left through across (8). |
| - | On the right diagonal, only if there is someone there, ladies chain (8). | |
| B2 | - | Star left 1 and turn to face your partner (8). |
| - | Partners swing (8). |
| A1 | - | Neighbors balance and swing (16) (or do-si-do and allemande right 1+1/2). |
| A2 | - | Circle left 1 (8). |
| - | Hands across star left 1 (8). | |
| B1 | - | Gents allemande left 1+1/2 (8). |
| - | Partners swing (8). | |
| B2 | - | Right and left through across (8). |
| - | Ladies chain across and turn to face new neighbors (8). |
| A1 | - | Gents pass left to start a 1/2 hey and turn to face your shadow (8). |
| - | (With your shadow and neighbor) star left 3/4 and turn to face new neighbors (8). | |
| A2 | - | Neighbors do-si-do (8). |
| - | Neighbors swing (8). | |
| B1 | - | Circle left 3/4 (8). |
| - | Balance (4). | |
| - | California twirl to face your partner (4). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Circle left 1/2 (4). |
| - | Neighbors roll away with a half sashay (across) (2). | |
| - | Pass through up and down to meet your shadow (2). | |
| - | With your shadow and neighbor circle right 3/4 (8). | |
| A2 | - | Neighbors allemande left 1+1/2 and turn to face new neighbors (8) (reenter with ladies on the left). |
| - | Neighbors swing (8). | |
| B1 | - | Right and left through across (8). |
| - | Star left 3/4 and turn to face your partner (8) (reenter with ladies on the left). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Forward to the middle (3). |
| - | Ladies roll to face your partner while gents quarter sashay to the right (2) (half of a roll away with a half sashay). | |
| - | Back up to face your partner across the set (3). | |
| - | Do-si-do (8). | |
| A2 | - | Balance and Petronella turn (8) (moving one place around a diamond). |
| - | Balance and Petronella turn (8). | |
| B1 | - | Allemande left 1+1/2 (8). |
| - | Big loop out and back (8). | |
| B2 | - | Balance and swing in the middle, end where you started the swing, facing down, lady on the right (16). |
| - | The phantom set rotates 90 degrees, so you are now on the side, facing across. |
| A1 | - | Face your neighbor in the diamond. |
| - | Gents pass left to start a hey (diagonal) (16). | |
| A2 | - | Partners balance and swing (16). |
| B1 | - | Circle left 1 (8). |
| - | Hands across star left 1 (8). | |
| B2 | - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl back into the diamond (8). |
| - | Ladies look for the lady in the next diamond (first new couple), take right hands, keep your partner, star promenade across, and butterfly whirl to a new diamond with a second new couple (gents go forward, ladies go backward) (8). |
| A1 | - | Ladies pass right to start a hey (diagonal) (16). |
| A2 | - | Partners balance and swing (16). |
| B1 | - | Circle left 1 (8). |
| - | Hands across star left 1 (8). | |
| B2 | - | Gents keep left hands, pick up your partner, star promenade across, and butterfly whirl to face out of the diamond (8). |
| - | Gents look for the gent in the next diamond (first new couple), take left hands, keep your partner, star promenade across, and butterfly whirl to a new diamond with a second new couple (8). |
| A1 | - | On the left diagonal walk forward to meet a new neighbors (4). |
| - | Back up straight to form a set of four (4). | |
| - | Pass through across (4). | |
| - | Partners allemande right 3/4 to a wave across with gents in the middle (4). | |
| A2 | - | Balance right and left and slide right with a Rory O'More spin (8). |
| - | Balance left and right and Slide left with a Rory O'More spin (8). | |
| B1 | - | Gents allemande left 1/2 (2). |
| - | Neighbors swing (14). | |
| B2 | - | Circle left 3/4 (8). |
| - | Partners swing (8). |
| A1 | - | Neighbors balance and swing (16). |
| A2 | - | Gents start a hands across star left and ladies fall in behind your neighbor. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face your shadow (8). |
| - | Shadows allemande right 1+1/2, ending in wavy lines on the sides with gents facing in (8). | |
| B1 | - | Balance right and left and slide right with a Rory O'More spin to face your partner (8). |
| - | Partners swing (8). | |
| B2 | - | Gents start a hands across star left and ladies fall in behind your partner. From initial positions, turn the star 1 for gents and 1/2 for ladies and turn to face new neighbors (8). |
| - | Neighbors do-si-so (8). |
| A1 | - | Star left 3/4 so that the gents are in the middle and gents turn to face a new neighbor gent (8). |
| - | (New neighbor) gents allemande right 1+1/2 (8). | |
| A2 | - | Take hands in a diamond oriented circle. |
| - | Balance and spin one place to the right, as in Petronella (8). | |
| - | Take hands in the diamond, balance, and spin one place to the right (8). | |
| B1 | - | Star right 3/4 so that ladies are in the middle and ladies turn to face a new neighbor lady (8). |
| - | (New neighbor) ladies allemande left 1+1/2, ending with everyone progressed and in a diamond (8). | |
| B2 | - | Partners balance and swing and end in a diamond (16). |
| A1 | - | Long lines go forward and back and partners roll away with a half sashay (8). |
| - | Circle right 1 (8). | |
| A2 | - | With partners, gents roll away and ladies half sashay into a butterfly whirl hold (3). |
| - | Butterfly whirl 3/4 so that gents are in the middle (3). | |
| - | Gents take left hands, star promenade across, and butterfly whirl while shifting one place to the right to face new neighbors (10). | |
| B1 | - | Ladies pass right to start a 1/2 hey, gents bounce back (8). |
| - | Continue the hey, ladies bounce back, gents finish an ordinary hey (8). | |
| B2 | - | Partners balance and swing (16). |
| A1 | - | Long lines go forward and back (8). |
| - | Ladies pass right to start a 1/2 hey and turn to face your shadow (8). | |
| A2 | - | (With your shadow and neighbor) star right 3/4 (8). |
| - | Gents turn in and neighbors swing (8). | |
| B1 | - | Shadows do-si-do (across) and turn to face new neighbors (8). |
| - | (With your shadow and neighbor) star left 3/4 and turn to face your partner (8). | |
| B2 | - | Partners balance and swing (16). |
|
Enchanted
Cary Ravitz
9-2008
Becket, counter-clockwise
The gents have a shorter path than the ladies in B2. A clockwise spin takes up a bit of time and flows into the partner swing nicely. YouTube, 2, MRD The Enchanted Forrest A Cary Ravitz 11-1998 Becket Complex
The Enchanted Forrest B - alternate A2/B1, can be medleyed. The Enchanted Forrest B Cary Ravitz 11-1998 Becket Complex
Entranced Cary Ravitz 5-1997 Becket, counter-clockwise Complex
The gents have a shorter path than the ladies in B1. A clockwise spin takes up a bit of time and flows into the partner swing nicely. YouTube, MRD Evil Diane Cary Ravitz 11-2000 Becket, double progression Complex In long lines, your partner is in one hand, your shadow is in the other hand.
This dance has multiple individual progressions. Be alert on the ends. The fundamental figures of this dance are long lines with a roll away, chain to the left and right, and look for your partner to balance and swing, a total of 40 counts. This leaves 24 counts that can be filled in to make a wide range of variations. Null moves that fit nicely include circle right after the roll away and star left or hey after either chain. I used star left after the chain left. After the chain to the right you can include a progression (gents progress and ladies unprogress) to put partners in the same set of four before they balance and swing. I used another long lines with a roll away to do this because I like the symmetry and the partner interaction. A flowier B1 - star left 1, look for your partner to do-si-do. This dance is named after Sam Bartlett's marvelous tune Evil Diane, for Diane. YouTube, MRD, 2 Fatal Attraction Cary Ravitz 6-2013 Becket Note ones and twos before turning from improper to Becket formation.
After the circle right, the one gents and two ladies are in the line to the caller's left. YouTube, Vimeo, MRD Fiddle Tales Cary Ravitz 1-2001 Improper contra Complex
The central figures of this dance, A2 and B1, are borrowed from Ted Sannella's Fiddleheads. You can run this as an alternating dance (as in Alternating Corners by Jim Kitch). On even cycles, after the neighbor swing, twos cross the set, turn left, etc. Gents face down and ladies face up in the initial diamonds, and after the partner swings (both versions), ones face down and twos face up. YouTube Fiddlers' Frolic (for Pam and Fred) Cary Ravitz 3-2012 Becket
Will Mentor suggests that a mad robin and full poussette fit nicely in 16 counts. This can be used in place of the B1 here, with the gypsy star becoming men take right hands, ladies take left hands, men go forward, ladies go backward. YouTube, MRD Flip-Flop Cary Ravitz 8-2000 Improper contra, 128 count Complex
If you end the neighbor swing with a back hold, and keep it down/up the hall, the cast becomes a whirl that relaxes the timing. This is an alternating contra corners dance, inspired by Jim Kitch's Alternating Corners. Flirting with Love Again Cary Ravitz 10-1997 Becket, double progression Complex Face your partner, your second shadow is beyond your partner, your first shadow is beyond your second shadow.
This dance borrows A1 and A2 from Ken Bonner's Falling in Love Again. A1 can be replaced with long lines go forward and back, partners roll away with a half sashay, long lines go forward and back, with partners, gents roll away and ladies half sashay, from Rollin' and Tumblin' by Cis Hinkle. YouTube, 2, 3, MRD, 2 Flying Flamingos Cary Ravitz 6-1997 Improper contra
With fond memories of "the flamingo affair" at Buffalo Gap, June 1997. YouTube, 2, MRD Formation Rotation Cary Ravitz 9-2014 Proper contra To start, face across.
This dance starts in proper formation, switches to cross contra, then Becket, and then back to proper. Four on the Floor Cary Ravitz 1-1999 Becket, counter-clockwise
MRD Galax Cary Ravitz 9-2008 Becket
YouTube, 2, MRD Gypsy Star Cary Ravitz 5-1999 Improper contra
I suggest that dancers look into their partner's eyes during the wavy line balances (rather than looking in the direction of the balance). Also see Woven Waves. YouTube, MRD Heart of Glass Cary Ravitz 10-2000 Becket
A nice variation for A1 is promenade clockwise (or slide left) 1 place to new neighbors, ladies allemande right 1/2, neighbors swing. This dance is an easier version of Through the Looking Glass, or you might see it as Amy Kahn's Sweet Music with a different progression, or Steve Zakon-Anderson's Twirling at the Alter with the progression moved from the hey to the circle, or David Zinkin's Becky's Becket with a different A2. YouTube, 2, MRD, 2 Interstate 64 Cary Ravitz 2-2014 Becket, counter-clockwise Complex
Be alert on the ends. Interstate 75 Cary Ravitz 8-1995 Becket, counter-clockwise Complex
Be alert on the ends. YouTube Into the DMZ Cary Ravitz 4-2013 Improper contra
While this dance seems repetitive at first glance, gents and ladies take different roles in the two roll aways and the two bounce back heys. This was written at the suggestion of Dugan Murphy for a new dance with roll away across the set to a swing. MRD Jaded Cary Ravitz 8-2024 Improper contra
The bounce across is similar to a bounce back, but instead of bouncing to the right and back, the bounce is across the set and back, and spin to face a new neighbor. Easy A2 - circle left 3/4 (8), partners allemande right 3/4 (3), gents allemande left 1 (5) (from Adrift). MRD, 2 Jan's Reel Cary Ravitz 7-2014 Becket
MRD Janet's Gypsy Cary Ravitz, Janet Bertog 6-2011 Becket
Reenter the dance with ladies on the left. The right and left through can be replaced with ladies pass right to start a 1/2 hey. YouTube, MRD, 2 Janet's Journey Cary Ravitz 6-2012 Becket
The neighbor allemande left can be 1+1/2, which makes the dance Becket counter-clockwise and you reenter the dance with ladies on the left. B1 can be replaced with gents pass left to start a 1/2 hey / gents allemande left 1+1/2. YouTube, MRD, 2 Jubilation Permutation Cary Ravitz 5-2008 Improper contra
This is a variation of Jubilation by Gene Hubert in which the partner allemande is replaced by a swing and the gents start the hey. And I used my preferred progression (B2). Also see Jubilation Variation. YouTube, MRD Jubilation Variation Cary Ravitz 3-2006 Improper contra
This dance started out as a variation of Jubilation by Gene Hubert in which the partner allemande is replaced by a swing and the gents start the hey. This gives the same swing / 1/2 hey / swing sequence as in Diagonal Discovery, also by Gene Hubert. The dance is further modified by replacing the gents allemande left 1+1/2 and long lines with circle left 3/4 and right and left through, which moves the middle of the dance to the opposite side of the set. YouTube, 2, DVA, MRD Judy's Journey Cary Ravitz 6-2013 Reverse improper contra (from proper contra, twos cross)
Reenter the dance with ladies on the left. YouTube, MRD Jump Start Cary Ravitz 10-1998 Improper contra
When the gents pass right in the middle in the second half of the 1/2 hey, rather than finishing the 1/2 hey, they can take right hands and turn 1/2 leisurely to start the star, with ladies joining in as they finish the 1/2 hey. This makes a nice blending between the hey and star. YouTube, MRD Living in Zen (for Liz) Cary Ravitz 6-2010 Reverse improper contra (from proper contra, twos cross)
Reenter the dance with ladies on the left. YouTube, MRD Looking for Love Again Cary Ravitz 9-2000 Becket, counter-clockwise, double progression Complex In long lines, your partner is in one hand, your shadow is in the other hand.
MRD Mad Max Cary Ravitz 11-2011 Becket, counter-clockwise Complex In long lines, your partner is in one hand, your shadow is in the other hand.
YouTube, MRD Maliza's Magical Mystery Motion Cary Ravitz 12-1996 Becket, counter-clockwise
Reenter with ladies on the left (but it doesn't really matter). YouTube, 2, MRD March of the Coffee Zombies Cary Ravitz 9-2011 Becket
You can substitute the slide to swing figure with swing through - allemande right 1/2, in the middle allemande left 1/2. This was written to go with the wonderful tune March of the Coffee Zombies, by Tom Cunningham. YouTube, 2, 3, MRD Martha's Breakup Breakdown Cary Ravitz 5-2013 Becket, counter-clockwise
Breakup Breakdown is my only dance where the final swing is with your neighbor. Breakdown refers to the dance. Martha Edwards pointed out that if a breakup breaks down you end up with your partner. So here the breakdown refers to the breakup. MRD Mary Keith's Harmonium Cary Ravitz 1-2002 Becket, counter-clockwise
This variation on Amy's Harmonium borrows its B1 from Boomerang by Gene Hubert. YouTube, 2, MRD Megadance (for Meg) Cary Ravitz 8-1999 Becket, counter-clockwise, double progression Complex In long lines, your partner is in one hand, your first shadow is in the other hand, your second shadow is beyond your first shadow.
This dance has multiple individual progressions. Be alert on the ends. MRD Oh More Snakes Cary Ravitz 9-2002 Becket, double progression Complex
One Way or Another Cary Ravitz 8-2009 Improper contra
YouTube, MRD Passion Breakdown A Cary Ravitz 2-2008 Improper contra
At the start of B1 the gents should not step forward into the swing, but should wait for their partner to cross the set. Gents can turn around in the 1/2 hey to lengthen the eye contact with their partner. Passion Breakdown B - alternate version, can be medleyed. YouTube, MRD Passion Breakdown B Cary Ravitz 2-2008 Improper contra
At the start of B1 the ladies should not step forward into the swing, but should wait for their partner to cross the set. Ladies can turn around in the 1/2 hey to lengthen the eye contact with their partner. MRD Pigtown Breakdown Cary Ravitz 12-2008 Becket, counter-clockwise Complex In long lines, your partner is in one hand, your shadow is in the other hand.
Be alert on the ends. MRD Pigtown Petronella Cary Ravitz 11-1997 Becket, counter-clockwise, double progression In long lines, your partner is in one hand, your shadow is in the other hand.
Note the similarity to Maliza's Magical Mystery Motion. The chain is to the diagonal left here, so at the end of B1 you must face a new set of four to find your partner. YouTube, 2, 3, MRD Pigtown Swing Cary Ravitz 8-2008 Becket Complex Face your partner, your shadow is beyond your partner.
Be alert on the ends. YouTube, MRD Presto Petronella Cary Ravitz 12-1996 Becket, counter-clockwise
The original version of this dance started with long lines, left diagonal ladies chain, star left 3/4, which requires progressing/reentering the dance in A2 with ladies on the left. YouTube, 2, MRD Queen Lea's Frolic Cary Ravitz 11-2019 Improper contra
MRD Rachel's Roll Cary Ravitz 1-2015 Becket
Reenter the dance with ladies on the left. MRD raDar Love Cary Ravitz 10-2008 Becket
MRD Rat Race Cary Ravitz 12-1998 Becket, counter-clockwise Complex
This dance has multiple individual progressions. Be alert on the ends. Rats Cary Ravitz 1-2023 Becket, counter-clockwise
This dance might be somewhat dizzy. The B1 timing is mushy. MRD Real to Surreal Cary Ravitz 7-2014 Cross contra (from improper, the one lady and two gents trade places) To start, one gent and two lady do-si-do 1+1/4, two gent and one lady allemande right 1+3/4, to a wave across, twos in the middle, gents facing down.
After the circle and pass through, the one gents and two ladies are in the line to the caller's left. This is a cross contra version of Reel to Reel. Real to Unreal Cary Ravitz 2-2015 Becket, counter-clockwise
Reenter the dance with ladies on the left. This is an inverted version of Reel to Reel. A1 can be danced as gents pass left, neighbors swing. YouTube, MRD, 2 Reddie to Roll Cary Ravitz 12-2016 Becket, counter-clockwise
DVA, MRD Reel Easy Cary Ravitz 10-1995 Improper contra
To change from a Becket dance to Reel Easy in a medley, change Reel Easy's first figure to circle left 3/4. From a counter-clockwise Becket dance, change it to gents allemande left 1+1/2. The second half of B2 can be danced as neighbors allemande right 1+1/4, walk straight forward to (A1) do-si-do the next. But I think it is more fun to allemande right 1, lean back a bit, and pull by. YouTube, 2, MRD Reel Time Cary Ravitz 8-1997 Becket, counter-clockwise
I have deleted and restored this dance a couple of times over the years. It has two unusual transitions, swing / star left and circle left / swing (gents in front of ladies), that you might prefer to avoid. MRD Reel to Reel Cary Ravitz 5-2003 Improper contra To start, neighbors do-si-do 1+1/4 to a wave across, ladies in the middle, ones facing down.
B1 can be danced as gents pass left, partners swing. Alternate B2 (from Real to Surreal) - circle left 3/4 and pass through up and down (8), new neighbors box the gnat (4), spin (forward and to the right) to a wave across with ladies in the middle, ones facing down (4). YouTube, 2, MRD, 2 Reflections A Cary Ravitz 6-2001 Improper/reverse improper contra, double/single progression Complex
Be alert on the ends. It is important that the people out at the ends reenter the dance as needed by the people in the dance. Odd cycles of this dance start improper, double progress, and end reverse improper. Even cycles start reverse improper, progress singly, and end improper. In the improper cycle, after the pass through across in B2, everyone faces a new neighbor and is reverse improper. In the reverse improper cycle, after the pass through across, everyone faces their current neighbor and is improper. Kathy Anderson suggests that a call to look for current or new neighbors makes the dance go easier. The call for ones to look down and twos to look up often fails as dancers forget whether they are a one or a two. The B version B1 stops the alternating orientation and leaves the dance as either improper (single progression) or reverse improper (double progression). You can use this as the basic B1 and use the original B1 to change orientations on any cycle of the dance. Reflections B - easy version. YouTube, 2, MRD Reflections B Cary Ravitz 6-2001 Improper/single progression or reverse improper contra/double progression
For the reverse improper version, reenter the dance with ladies on the left. MRD, 2 Rhyme or Rhythm Cary Ravitz 10-2009 Reverse improper contra (from proper contra, twos cross)
Reenter the dance with ladies on the left. MRD Roadkill Cary Ravitz 1-1998 Becket Complex In long lines, your partner is in one hand, your shadow is in the other hand.
This dance has multiple individual progressions. Be alert on the ends. YouTube, 2, MRD Rocky Road Cary Ravitz 7-1999 Becket, counter-clockwise Complex Face your partner, your shadow is beyond your partner.
This dance has multiple individual progressions. Be alert on the ends. Note the similarity to Whitewater. Replacing the star with a positionally equivalent circle, the only difference is the second figure of A1 and the direction of progression. MRD Roll Around A Cary Ravitz 1-2001 Improper contra
Roll Around B - alternate A1. YouTube, 2 Roll Around B Cary Ravitz 2-2012 Improper contra
The California twirl and turn alone to face in figure is from California Twirlin' by Janet Levatin. MRD Sealed with a Keith Cary Ravitz 7-1997 Becket, counter-clockwise Complex Face your partner, your shadow is beyond your partner.
Be alert on the ends. In this dance you lose your partner, find them for a gypsy, lose them again, and find them for a balance and swing. YouTube, MRD Seven Stars Cary Ravitz 10-2024 Improper contra
The bounce across is similar to a bounce back, but instead of bouncing to the left and back, the bounce is across the set and back, and spin to face a new neighbor. After the right and left through the ladies walk a small counter-clockwise circle with a bounce back at count 2, and end where they started, progressed. The gents loop back and right to take the lady's place then cross the set with a bounce across at count 6, to end progressed. You could start B2 with ladies pass right to start a 1/2 hey, but I think that right and left through flows better out of a swing. For Benjamin, Lydia, Hannah, Sebastian, Deborah, Jacob, and Alena. MRD Slice and Dice Cary Ravitz 12-2010 Becket Complex Face your partner, your shadow is beyond your partner, your second shadow is behind you.
This dance has multiple individual progressions. Be alert on the ends. On the ends, for the left diagonal figure, if there is a couple out, that couple should participate in the figure. If there is not a couple out, the odd couple should just cross the set. The forward to the left, back to the right with your opposite figure is simplified from Bases Loaded by Jim Saxe, Lydee Scudder, and Tom Thoreau. YouTube, MRD The Slippery Slope Cary Ravitz 4-2011 Becket
MRD Snake in the Garden Cary Ravitz 7-2008 Improper contra
The first wavy line can stay in place while the second wavy line forms. Then the back out for one line happens at the same time as the allemande for the other. Snake in the Hey Cary Ravitz 1-1998 Improper contra To start, face across.
YouTube, 2, MRD Soaring Storks Cary Ravitz 12-2013 Improper contra
MRD Solstice Special Variation Cary Ravitz 6-2014 Improper contra
This dance started out as a variation on Southern Spring, but it ended up closer to Solstice Special by Tony Parkes. YouTube Songbird Cary Ravitz 1-2012 Becket
Renter the dance with ladies on the left. The original version of this dance reversed the mad robin and 1/2 poussette in B1 - with new neighbors, ladies step forward and left to start a mad robin (6), (with these neighbors) gents pull partners to start a 1/2 poussette (6), gents pass right (4). This works well, but I prefer it as noted here. Songbird was written for Janet Bertog, who asked for a different setting of the mad robin / 1/2 poussette / mad robin / 1/2 poussette sequence from Rough Ride by Tom Hinds. MRD, 2 Southern Summer Cary Ravitz 8-2016 Improper contra
The 1/2 hey and mad robin can be swapped. Mad robin into allemande/orbit is from Mad Orbin by Jacqui Grennan. MRD Star Trick Cary Ravitz 10-1997 Improper contra
The star to allemande transition is borrowed from Al's Safeway Produce by Robert Cromartie. YouTube Starbright Cary Ravitz 9-2024 Becket
MRD Starburst Cary Ravitz 7-1995 Improper contra
A nice ladies' choice variation for B1 is ladies turn in and partners gypsy left / partners turn alone clockwise and swing. YouTube, 2, MRD Starcrossed Cary Ravitz 3-1998 Becket, counter-clockwise Complex Face your partner, your shadow is beyond your partner.
This dance has multiple individual progressions. Be alert on the ends. YouTube, MRD Star's End Cary Ravitz 3-2012 Becket
Stephanie's Star Cary Ravitz 4-2010 Improper contra
YouTube, 2, MRD Strawberry Swirl Cary Ravitz 5-1998 Becket, counter-clockwise
YouTube Streetsboro Daisies Cary Ravitz 10-1995 Improper contra
B1 was originally gents allemande left 1+1/2, partners swing. YouTube, 2, MRD Susan's Slide Cary Ravitz 3-2011 Becket
The slide from a wave across to a swing comes from A Glimpse of Beauty by Charley Harvey, and I first danced it in Susan Moffett's dance Ted Told Me So. Also see The Slippery Slope. MRD Susan's Snafu Cary Ravitz 3-2000 Becket, counter-clockwise Complex Face your partner, your shadow is beyond your partner.
This dance has multiple individual progressions. Be alert on the ends. YouTube, MRD Susan's Swing Cary Ravitz 3-2008 Becket, counter-clockwise
Reenter the dance with ladies on the left. MRD Sweet Summer Cary Ravitz 2-2012 Improper contra
B2 can be danced as right and left through across (7), partners half sashay counter-clockwise (gents behind ladies) (2), star right 3/4 (7). Swing Fever Cary Ravitz 2-2009 Improper contra, double progression
MRD Tara's Reel Cary Ravitz 6-2014 Becket
A2 plus ladies pass right can be danced entirely in A2, depending on the tempo, so you could make B1 neighbors gypsy and swing. Tara's Trip Cary Ravitz 2-2008 Becket
YouTube Terry and Sherry Cary Ravitz 10-2008 Becket
YouTube Through the Looking Glass Cary Ravitz 10-2000 Becket
A nice variation for A1 is promenade clockwise (or slide left) 1 place (around the full set) to new neighbors, ladies allemande right 1/2, neighbors swing. YouTube, MRD Trillium Cary Ravitz 7-2008 Becket
The butterfly whirl to progress is borrowed from Charley Harvey's Amy Asked for a Gypsy. Also see Chicory. MRD Toward the San Rafael Swell Cary Ravitz 8-2019 Becket, counter-clockwise
The Petronella spins are directly to the point 1+1/2 places around the circle. MRD Turtles Too Cary Ravitz 6-2015 Becket, counter-clockwise In long lines, your partner is in one hand, your shadow is in the other hand.
Be alert on the ends. B1 plus ladies allemande can be danced entirely in B1 with a small zigzag. Valley of Fire Cary Ravitz 12-2018 Becket, counter-clockwise
The neighbor allemande left can be 1+1/2, which makes the dance Becket and you reenter the dance with ladies on the left. Also known as "Neffarious". MRD Waiting for You Cary Ravitz 6-2014 Improper contra
For B2 you can substitute circle left 3/4, pass through up and down, new neighbors do-si-do. MRD Waterfall Cary Ravitz 3-2008 Becket
YouTube, MRD Wavefront Cary Ravitz 9-2002 Improper contra
The start of A2 could be called pass through across to a wave / neighbors allemande right 1/2. This orients people better for the allemande. But it is easier to teach as noted above. Wavelet Cary Ravitz 4-2021 Singlet (for one couple), improper contra phantom set, lady on the right, facing down
MRD Wedding Contra for Debbie and John Cary Ravitz 5-1996 Becket, double progression Complex
Where Will I Be Cary Ravitz 12-2010 Becket, counter-clockwise Complex In long lines, your partner is in one hand, your shadow is in the other hand.
This dance has multiple individual progressions. Be alert on the ends. The Petronella turn into a star left transition is from Discombobulation by Jim Kitch. MRD Whim's Gym Cary Ravitz 9-2002 Improper contra
B2 here is from Jim's Whim by Rich MacMath. B2 can be replaced with circle left 3/4, balance, California twirl, for an easier, no walk through dance. YouTube, 2, 3, MRD, 2 Whirl of Fortune Cary Ravitz 4-1999 Becket
B2 here is taken from Gene Hubert's Reunion. Whirlaway Cary Ravitz 5-2001 Becket
MRD Whitewater Cary Ravitz 2-1997 Becket Complex Face your partner, your shadow is beyond your partner.
This dance has multiple individual progressions. Be alert on the ends. There are three progressions in this dance. First, gents unprogress and ladies progress with first neighbors in the middle of A1. Then gents and ladies progress with a shadow in the middle of A2. And finally, gents progress and ladies unprogress with second neighbors at the end of B1. The second neighbor becomes the new first neighbor. YouTube, 2, MRD Whitewater Whirl Cary Ravitz 10-2017 Becket
MRD Wildflowers A Cary Ravitz 7-2008 Becket
This is similar to Heart of Glass but modifies the entry to the star promenade to relax the timing. Wildflowers B - inverted version, can be medleyed. YouTube, MRD Wildflowers B Cary Ravitz 7-2008 Becket
Facebook (I'm playing fiddle), MRD Wilderness Road Cary Ravitz 1-2017 Becket, counter-clockwise
In place of the mad robin, you can use gents roll away and ladies half sashay (3), ladies step forward and right to start a 1/2 mad robin (3). MRD Wilderness Whirl Cary Ravitz 10-2017 Becket
MRD Woven Waves Cary Ravitz 5-1999 Improper contra
I suggest that dancers look into their partner's eyes during the wavy line balances (rather than looking in the direction of the balance). In A2, gents taking (right) hands below the ladies' hands makes the eventual transition to a swing easier (a good tip from Jackie Green). Also see Gypsy Star. YouTube (I'm playing fiddle), 2, 3, MRD Redirects - Across the Ohio Dream of Spring Finding Fire Gypsy Waves Laura's Lilt Reeling from Love Again Riding Whisky Roadkill II Run Around Susie Serenade Slip and Slide Slipstream The Squeaking Reel Whitecaps Winter Whirl Winter Wind |